{"id":61,"date":"2012-04-17T15:25:00","date_gmt":"2012-04-17T15:25:00","guid":{"rendered":"http:\/\/toddbishopjazz.com\/index.php\/2012\/04\/17\/first-review-little-played-little-bird\/"},"modified":"2015-09-28T00:23:35","modified_gmt":"2015-09-28T00:23:35","slug":"first-review-little-played-little-bird","status":"publish","type":"post","link":"http:\/\/toddbishopjazz.com\/index.php\/2012\/04\/17\/first-review-little-played-little-bird\/","title":{"rendered":"First review: Little Played Little Bird @ Allaboutjazz.com"},"content":{"rendered":"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http:\/\/cbjazz.files.wordpress.com\/2007\/05\/cballaboutjazzdotcom.jpg?w=230&amp;h=90\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/cbjazz.files.wordpress.com\/2007\/05\/cballaboutjazzdotcom.jpg?w=230&amp;h=90\" \/><\/a><\/div>\n<p>Hey, here&#8217;s the first review of <b>Little Played Little Bird<\/b> <i>[that&#8217;s my new recording of the music of Ornette Coleman- have you heard?]<\/i> from our good friend Dan McClenaghan <a href=\"http:\/\/www.allaboutjazz.com\/php\/article.php?id=41877\">at AllAboutJazz.com<\/a>. Here&#8217;s an excerpt, but go read the whole thing:<\/p>\n<p>&#8220;<b>Little Played Little Bird<\/b> sounds unlike any set that Coleman has ever put together, despite the temptation to compare it to his Hidden Man and Sound Museum Three Women\u2014simultaneously-released on his Harmolodic Records label in 1996\u2014mostly because these overlooked gems in Coleman&#8217;s discography included pianist Geri Allen. In terms of sound, Cole&#8217;s baritone sax\u2014fierce and growling on &#8220;Enfant&#8221;\u2014recalls tenor saxophonist Dewey Redman&#8217;s work during his Blue Note Records years with Coleman. Aside from that, the vision here is purely the Todd Bishop Group&#8217;s.<\/p>\n<p>For those with passing knowledge of the saxophonist\/composer&#8217;s sound, this wouldn&#8217;t, on a blind listen, be recognizable as Coleman&#8217;s music. For his ardent fans, the melodies are there, laid down with a compellingly original harmonic and rhythmic approach, with bassist Bill Athens\u2014who is essential to the music&#8217;s unqualified success\u2014laying down a viscous and pulsating murk that flows through Bishop&#8217;s idiosyncratic steam hiss cymbal sizzles and off-kilter but-tight drum work on this immaculate exploration of Ornette Coleman&#8217;s music.&#8221;<\/p>\n<p>&#8211; <a href=\"http:\/\/www.allaboutjazz.com\/php\/contrib.php?id=141\">Dan McClenaghan<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hey, here&#8217;s the first review of Little Played Little Bird [that&#8217;s my new recording of the music of Ornette Coleman- have you heard?] from our good friend Dan McClenaghan at AllAboutJazz.com. Here&#8217;s an excerpt, but go read the whole thing: &#8220;Little Played Little Bird sounds unlike any set that Coleman has ever put together, despite the temptation to compare it to his Hidden Man and Sound Museum Three Women\u2014simultaneously-released on his Harmolodic Records label in 1996\u2014mostly because these overlooked gems in Coleman&#8217;s discography included pianist Geri Allen. In terms of sound, Cole&#8217;s baritone sax\u2014fierce and growling on &#8220;Enfant&#8221;\u2014recalls tenor saxophonist Dewey Redman&#8217;s work during his<a class=\"more-link\" href=\"http:\/\/toddbishopjazz.com\/index.php\/2012\/04\/17\/first-review-little-played-little-bird\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[20,22,23,15],"class_list":{"0":"entry","1":"post","2":"publish","3":"author-todd","4":"post-61","6":"format-standard","7":"has-post-thumbnail","8":"category-uncategorized","9":"post_tag-allaboutjazz-com","10":"post_tag-dan-mcclenaghan","11":"post_tag-little-played-little-bird","12":"post_tag-reviews"},"_links":{"self":[{"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/posts\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":1,"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/posts\/61\/revisions"}],"predecessor-version":[{"id":179,"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/posts\/61\/revisions\/179"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/media\/180"}],"wp:attachment":[{"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/media?parent=61"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/categories?post=61"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/toddbishopjazz.com\/index.php\/wp-json\/wp\/v2\/tags?post=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}